| ABCD DELEUZE A1 - 337 sec
A1
Auteur : adadaprout
Tags:deleuze
 | | Gilles Deleuze video - 208 sec
extrait d'un cours de Deleuze à Vincennes
Auteur : transpdgouines
Tags:la philosophie du désir
| | ABCD DELEUZE INTRO - 135 sec
intro
Auteur : adadaprout
Tags:deleuze
| | ABCD Deleuze A3 - 348 sec
A3
Auteur : adadaprout
Tags:deleuze
| | Deleuze: création artistique(1) - 531 sec
Deleuze: création artistique(1)
Auteur : adadaprout
Tags:deleuze création artistique
| | Gilles Deleuze Anti-Oedipe 1980 - 390 sec
Extrait d'un cours de Gilles Deleuze filmé à Vincennes par Marielle Burkhalter.
Des enregistrements audio des cours de Gilles Deleuze (MP3) sont téléchargeables (FREE DOWNLOAD) ici:
http://www.univ-paris8.fr/deleuze/
Les cinq volets de l'émission de France Culture "L'île du docteur Plateau, ou la philosophie pensée par le cinéma" (MP3) sont téléchargeables (FREE DOWNLOAD) ici:
http://avantderniereschoses.blogspot.com/2007/07/lle-du-docteur-plateau-ou-la.html
Auteur : AUDERVILLE
Tags: Gilles Deleuze Nietzche Psychanalyse Marielle Burkhalter Anti-Oedipe
| | Deleuze et FIN - 149 sec
ou comment le philosophe Gilles Deleuze donne son dernier interview, postume...
Auteur : Diagnosite
Tags: Deleuze et fin Art Documentary Experimental Interview deconstruction démolition arnaud danton
| | gilles DELEUZE LECTURE mille plateaux 1 - 421 sec
(subtitled version hopefully soon!)
Deleuze working out his material for Mille Plateaux in the infamously crowded and smoky, cloudy classrooms of PARIS 8, VINCENNES (now in SAINT DENIS) where LYOTARD, CHATELET, GUATTARI, SCHERER, and more recently BADIEU, RANCIERE, BROSSAT and others have fleshed out their weltanschungs. PARIS 8 (VINCENNES) was a hotbed for revolutionary thought in its early years and was thus quickly moved from its "forest" location under the pretext that a "dolphin park" would be built on the same terrain...
Auteur : videoSTORK
Tags: deleuze paris video tube camera philosophy rhizome
| | Manuel DeLanda - The Philosophy of Gilles Deleuze. 2007 1/5 - 600 sec
http://www.egs.edu/ Manuel DeLanda lecturing about the philosophy of Gilles Deleuze. Public Open Video Lecture at European Graduate School EGS, Media and Communication Studies department program. Saas-Fee, Switzerland 2007. Manuel De Landa. Gilles Deleuze.
Manuel DeLanda, (born 1952 in Mexico City), is a writer, artist and distinguished philosopher who has lived in New York since 1975. He is an Adjunct Associate Professor at Graduate School of Architecture, Planning and Preservation at Columbia University (New York), a Professor for Contemporary Philosophy and Science at the European Graduate School in Saas-Fee, Switzerland, a professor at the Canisius College in Buffalo, New York, and professor at the University of Pennsylvania School of Design in Philadelphia, Pennsylvania.
He is the author of War in the Age of Intelligent Machines (1991), A Thousand Years of Nonlinear History (1997), Intensive Science and Virtual Philosophy (2002) and A New Philosophy of Society: Assemblage Theory and Social Complexity (2006). He has published many articles and essays and lectured extensively in Europe and in the United States. His work focuses on the theories of the French philosopher Gilles Deleuze on one hand, and modern science, self-organizing matter, artificial life and intelligence, economics, architecture, chaos theory, history of science, nonlinear science, cellular automata on the other. De Landa became a principal figure in the "new materialism" based on his application of Deleuze's realist ontology. His universal research into "morphogenesis" - the production of the semi-stable structures out of material flows that are constitutive of the natural and social world - has been of interest to theorists across many academic and professional disciplines.
Alongside his intellectual work, DeLanda made several short Super 8 and 16mm films in the 1970s and early 1980s, all of which are now out of circulation. Cited by filmmaker Nick Zedd in his Cinema of Transgression Manifesto, DeLanda associated with many of the experimental and art filmmakers of this New York based movement. Much of DeLanda's film work is inspired by his interest in philosophy and critical theory; one of his best known films, Raw Nerves, has been described as a 'Lacanian thriller' by at least one critic.
Auteur : egsvideo
Tags:Manuel DeLanda Philosophy Gilles Deleuze Poincare Einstein Science God Space Semantics Leibniz EGS computers 3d
| | Deleuze et Wittgenstein - 76 sec
Wittgenstein? Video extracted from "l'ABÉCÉDAIRE DE GILLES DELEUZE" avec Claire Parnet, Editons Montparnasse, 2004.
Auteur : fspane
Tags:wittgenstein
| | Gilles DELEUZE LECTURE mille plateaux 2 - 566 sec
(subtitled version hopefully soon!)
Deleuze working out his material for Mille Plateaux in the infamously crowded and smoky, clou (subtitled version hopefully soon!)
Deleuze working out his material for Mille Plateaux in the infamously crowded and smoky, cloudy classrooms of PARIS 8, VINCENNES (now in SAINT DENIS) where LYOTARD, CHATELET, GUATTARI, SCHERER, and more recently BADIEU, RANCIERE, BROSSAT and others have fleshed out their weltanschungs. PARIS 8 (VINCENNES) was a hotbed for revolutionary thought in its early years and was thus quickly moved from its "forest" location under the pretext that a "dolphin park" would be built on the same terrain...
Auteur : videoSTORK
Tags: Tags: deleuze paris video tube camera philosophy rhizome
| | Gilles Deleuze - Dell'Eterna Infamia Universale [1/2] - 583 sec
Gilles Deleuze a Vincennes 1975-1976.
Del voltafaccia di Dio all'Uomo e al suo Popolo e del voltafaccia dell'Uomo e del Popolo di Dio a Dio.
Auteur : lavocedinarciso
Tags:Gilles Deleuze Vincennes Storia Eterna Infamia Universale Antico Testamento Dio Voltafaccia Shakespeare Nietzsche Edipo
| | Gilles Deleuze - "G" comme gauche 1/2 - 590 sec
1ère partie de la lettre G de l'abécédère de Gilles Deleuze
sous-titres:japonais
Auteur : clopeut
Tags: gilles deleuze philosophie gauche revolution droit
| | Gilles Deleuze - Apologia d(e)i (C)reato(ri) - 424 sec
Vincennes, 1975.
Gilles Deleuze prende la parola nell'intento di sedare e porre fine ad un dibattito che prende vita in modo del tutto inatteso durante uno dei corsi che tiene all'università .
La discussione ha come oggetto egli medesimo, il suo metodo di insegnamento e la presunta incomprensibilità delle teorie che espone che la maggior parte dell'uditorio presente non assimilerebbe affatto e starebbe ad ascoltarlo solo per inerzia, inibita nell'esternare ciò unicamente dalla statura della personalità che ha di fronte e di conseguenza dal timore reverenziale di ammettere quello che invece sarebbe un pensiero più diffuso di quanto lo stesso Deleuze sospetterebbe.
Deleuze difende la categoria di tutti coloro che da sempre ricevono accuse simili a quelle che ha appena ricevuto lui in un discorso che davvero val la pena ascoltare con attenzione e meditare a fondo.
Deleuze si riferisce a telefonate notturne ricevute da anonimi contestatori che lo riempiono di insulti e gli rivolgono contro minacce d'ogni tipo per i contenuti delle lezioni che tiene all'università , delle conferenze che tiene in tutto il mondo e dei libri che scrive e pubblica.
E Deleuze, per chi non lo conoscesse, non era affatto uno che diceva o scriveva eresie, o sosteneva e diffondeva idee che non stavano né in cielo né in terra.
Era solo un genio, prima di essere un filosofo.
Era semplicemente qualcuno troppo Grande per preoccuparsi che quello che fuoriusciva dalla sua bocca o dalla sua penna risultasse comprensibile o gradevole a tutti.
Mi viene allora da pensare al vero senso dell'aforisma di Oscar Wilde...
Vivo perennemente nel terrore di non essere frainteso.
Cosa vuol dire?
Vuol dire che fintanto sei frainteso sei in qualche maniera inteso.
Ma è nel momento in cui smetti di anche di essere frainteso che scateni la reazione nell'altro.
Soprattutto se costui percepisce che qualcosa da intendere c'è in quel che dici e che a lui proprio non riesce in alcun modo di intenderlo.
Ed a maggior ragione se capisce che qualcun altro a differenza di lui lo intende.
Non c'è nulla di più pericoloso che costringere qualcuno a non poter fare a meno di sentirsi stupido.
E di norma si sa che più uno è stupido più è convinto di non esserlo - e viceversa.
Da qui la reazione "da stupido" che inevitabilmente scatena minare la sua presunta intelligenza.
E allora è di gran lunga preferibile essere considerati stupidi dagli stupidi ed essere calunniati di conseguenza, che mettere in condizione gli stupidi di sentirsi stupidi.
Ne va talvolta della "nostra" incolumità fisica.
Non v'è miglior chiosa a quanto ora detto che ricorrere ancora una volta ad una aforisma di Wilde...
Non v'è peccato al di fuori della stupiditÃ
Chi ha orecchie per (fra)intendere (fra)intenda.
Auteur : lavocedinarciso
Tags: Gilles Deleuze Corsi Università Vincennes 1975 Lacan Pensiero Filosofia Lettere Vita Avanguardia
| | Manuel DeLanda - The Philosophy of Gilles Deleuze. 2007 2/5 - 579 sec
http://www.egs.edu/ Manuel DeLanda lecturing about the philosophy of Gilles Deleuze. Public Open Video Lecture at European Graduate School EGS, Media and Communication Studies department program. Saas-Fee, Switzerland 2007. Manuel De Landa. Gilles Deleuze.
Manuel DeLanda, (born 1952 in Mexico City), is a writer, artist and distinguished philosopher who has lived in New York since 1975. He is an Adjunct Associate Professor at Graduate School of Architecture, Planning and Preservation at Columbia University (New York), a Professor for Contemporary Philosophy and Science at the European Graduate School in Saas-Fee, Switzerland, a professor at the Canisius College in Buffalo, New York, and professor at the University of Pennsylvania School of Design in Philadelphia, Pennsylvania.
He is the author of War in the Age of Intelligent Machines (1991), A Thousand Years of Nonlinear History (1997), Intensive Science and Virtual Philosophy (2002) and A New Philosophy of Society: Assemblage Theory and Social Complexity (2006). He has published many articles and essays and lectured extensively in Europe and in the United States. His work focuses on the theories of the French philosopher Gilles Deleuze on one hand, and modern science, self-organizing matter, artificial life and intelligence, economics, architecture, chaos theory, history of science, nonlinear science, cellular automata on the other. De Landa became a principal figure in the "new materialism" based on his application of Deleuze's realist ontology. His universal research into "morphogenesis" - the production of the semi-stable structures out of material flows that are constitutive of the natural and social world - has been of interest to theorists across many academic and professional disciplines.
Alongside his intellectual work, DeLanda made several short Super 8 and 16mm films in the 1970s and early 1980s, all of which are now out of circulation. Cited by filmmaker Nick Zedd in his Cinema of Transgression Manifesto, DeLanda associated with many of the experimental and art filmmakers of this New York based movement. Much of DeLanda's film work is inspired by his interest in philosophy and critical theory; one of his best known films, Raw Nerves, has been described as a 'Lacanian thriller' by at least one critic.
Auteur : egsvideo
Tags:Manuel DeLanda Gilles Deleuze Poincare Einstein Science God Space Schirmacher Semantics Leibniz EGS computers 3d
| | Gilles Deleuze - Dell'Eterna Infamia Universale [2/2] - 455 sec
Gilles Deleuze a Vincennes 1975-1976.
Del voltafaccia di Dio all'Uomo e al suo Popolo e del voltafaccia dell'Uomo e del Popolo di Dio a Dio.
Auteur : lavocedinarciso
Tags:Gilles Deleuze Vincennes Storia Eterna Infamia Universale Antico Testamento Dio Voltafaccia Shakespeare Nietzsche Edipo
| | Deleuze (:) Guattari - 550 sec
La réponse est simple: 68, c'est l'intrusion du Devenir. On a voulu y voir parfois le règne de l'Imaginaire... Ce n'est absolument pas imaginaire. C'est une bouffée de réel à l'état pur. C'est le réel. C'est, tout d'un coup, le réel qui arrive. Alors les gens ne comprennent pas. Ils ne reconnaissent pas. Ils se disent : "Qu'est-ce que c'est que ça ?". Les gens réels, enfin ! Les gens dans leur réalité ! Ca a été prodigieux ! Et qu'est-ce que c'était, les gens dans leur réalité ? Et bien: c'est le devenir... Alors, il pouvait y avoir de mauvais devenirs, tout ça... Que les historiens n'aient pas bien compris, c'est forcé ! Je crois tellement à la différence entre l'Histoire et le Devenir ! C'était un devenir révolutionnaire sans avenir de révolution. Alors, on peut toujours s'en moquer, une fois que c'est passé. C'était des phénomènes de pur devenir qui ont pris les gens. Même des devenirs animaux, même des devenirs enfants, même des devenirs femmes des hommes, des devenirs hommes de femmes, tout ça... C'est ce domaine si particulier autour duquel on tourne depuis le début de nos questions: qu'est-ce que c'est au juste qu'un devenir ? En tous cas, c'est l'intrusion du devenir, 68.
Auteur : docMango
Tags:Deleuze Guattari Abécédaire G Gauche Mai 68 Désir Devenir
| | Deleuze: création artistique (2) - 431 sec
Deleuze: création artistique (2)
Auteur : adadaprout
Tags:deleuze
| | Le Voyageur (O andarilho) - Heldon e Gilles Deleuze - 262 sec
Quais marchais mieux quen 68
Gilles Deleuze junto com a banda Heldon cita Nietzsche:
O andarilho Quem alcançou em alguma medida a liberdade da razão, não pode se sentir mais que um andarilho sobre a Terra e não um viajante que se dirige a uma meta final: pois esta não existe. Mas ele observará e terá olhos abertos para tudo quanto realmente sucede no mundo; por isso não pode atrelar o coração com muita firmeza a nada em particular; nele deve existir algo de errante, que tenha alegria na mudança e na passagem. Sem dúvida esse homem conhecerá noites ruins, em que estará cansado e encontrará fechado o portão da cidade que lhe deveria oferecer repouso; além disso, talvez o deserto, como no Oriente, chegue até o portão, animais de rapina uivem ao longe e também perto, um vento forte se levante, bandidos lhe roubem os animais de carga. Sentirá então cair a noite terrÃvel, como um segundo deserto sobre o deserto, e o seu coração se cansará de andar. Quando surgir então para ele o sol matinal, ardente como uma divindade da ira, quando para ele se abrir a cidade, verá talvez, nos rostos que nela vivem, ainda mais deserto, sujeira, ilusão, insegurança do que no outro lado do portão e o dia será quase pior do que a noite. Isso bem pode acontecer ao andarilho; mas depois virão, como recompensa, as venturosas manhãs de outras paragens e outros dias, quando já no alvorecer verá, na neblina dos montes, os bandos de musas passarem dançando ao seu lado, quando mais tarde, no equilÃbrio de sua alma matutina, em quieto passeio entre as árvores, das copas e das folhagens lhe cairão somente coisas boas e claras, presentes daqueles espÃritos livres que estão em casa na montanha, na floresta, na solidão, e que, como ele, em sua maneira ora feliz ora meditativa, são andarilhos e filósofos. Nascidos dos mistérios da alvorada, eles ponderam como é possÃvel que o dia, entre o décimo e o décimo segundo toque do sino, tenha um semblante assim puro, assim tão luminoso, tão sereno-transfigurado: - eles buscam a filosofia da manhã.
Auteur : sergiorodrigo
Tags: gilles deleuze maio mai 68 nietzsche voyageur
| | Manuel DeLanda - The Philosophy of Gilles Deleuze. 2007 3/5 - 598 sec
http://www.egs.edu/ Manuel DeLanda lecturing about the philosophy of Gilles Deleuze. Public Open Video Lecture at European Graduate School EGS, Media and Communication Studies department program. Saas-Fee, Switzerland 2007. Manuel De Landa. Gilles Deleuze.
Manuel DeLanda, (born 1952 in Mexico City), is a writer, artist and distinguished philosopher who has lived in New York since 1975. He is an Adjunct Associate Professor at Graduate School of Architecture, Planning and Preservation at Columbia University (New York), a Professor for Contemporary Philosophy and Science at the European Graduate School in Saas-Fee, Switzerland, a professor at the Canisius College in Buffalo, New York, and professor at the University of Pennsylvania School of Design in Philadelphia, Pennsylvania.
He is the author of War in the Age of Intelligent Machines (1991), A Thousand Years of Nonlinear History (1997), Intensive Science and Virtual Philosophy (2002) and A New Philosophy of Society: Assemblage Theory and Social Complexity (2006). He has published many articles and essays and lectured extensively in Europe and in the United States. His work focuses on the theories of the French philosopher Gilles Deleuze on one hand, and modern science, self-organizing matter, artificial life and intelligence, economics, architecture, chaos theory, history of science, nonlinear science, cellular automata on the other. De Landa became a principal figure in the "new materialism" based on his application of Deleuze's realist ontology. His universal research into "morphogenesis" - the production of the semi-stable structures out of material flows that are constitutive of the natural and social world - has been of interest to theorists across many academic and professional disciplines.
Alongside his intellectual work, DeLanda made several short Super 8 and 16mm films in the 1970s and early 1980s, all of which are now out of circulation. Cited by filmmaker Nick Zedd in his Cinema of Transgression Manifesto, DeLanda associated with many of the experimental and art filmmakers of this New York based movement. Much of DeLanda's film work is inspired by his interest in philosophy and critical theory; one of his best known films, Raw Nerves, has been described as a 'Lacanian thriller' by at least one critic.
Auteur : egsvideo
Tags:Manuel DeLanda Gilles Deleuze Poincare Einstein Science God Space Schirmacher Semantics Leibniz EGS computers 3d
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